| Galleries: Art 
        and Biolab VivoArts WorkhorseZoo MMMM... pFARM BioPorn |  
         
           
             
               
                 
                   
                      MMMM... Gallery In MMMM…, we, the public, are invited to join in 
        the process of sonic performance for cells in culture. Please engage your 
        living unfamiliar relatives. Here is your chance to massage various living 
        tissues or organisms without getting your hands dirty. We, as fleshy flasks 
        of living culture, are also invited to become part of the experiment by 
        vocally vibrating each other’s rear ends at the same time.  Two ButtVibe lounge recliners are placed facing each other on opposite 
        sides of a room. The chairs massage according to sound output miked from 
        the vocalizations of the person in the opposite chair. This can include 
        voice and instruments/noisemakers. The same signals are sent to neighboring 
        vibrating plate speakers applied to various lifeforms. The organisms will 
        bounce, splash, stretch, bear down and/or jump to attention in response 
        to the audio source. Please Feel Free to Sit Down and Talk to the Living 
        Specimens!
 Video of reclining volunteers and their life-world mirrors dancing on 
        biopolymers is projected above and behind the volunteers. This functions 
        as a closed circuit and very local vibro-videophone for talking to various 
        kinds of strangers. We have here a real time, multimedia, multi-species 
        erotic continuum of sonic jostling. We also have the ability to record 
        a certifiable non-repeatable effect through bioassay of public play. Please 
        record any data you might have amassed during your research in the communal 
        lab books provided.
 Public Knowledge Purpose:
   My personal favorite artistic offering to public experience 
        is the reinsertion of fun for fun’s sake into the social. I know 
        that sounds simple and naïve. It is. Vibrating chairs are titillating. 
        The idea of helping strangers in public liven each other’s bodily 
        experience shamelessly in a temporary suspension of moral standards is 
        my call to duty. It’s something to do while waiting for the AIDS 
        vaccine. At the same time, the conjoining of the microcosm and the human 
        body, so often forgotten in the workaday world, is emphasized. Simple 
        assays could show alterity of cells due to vibration, which can be an 
        effective comparative aid in analyzing human facial response patterns 
        to mechanical tickling and vibro-erotism in general. This sensual experience 
        could abstract our importance as self-centered entities by focusing on 
        bounce as a form of transient existence. In other words this is art and 
        tech lite, public hedonism and unashamedly so. Sit Down and Extrapolate! Philosophy of Science Purpose:
 If our research into the effects of sonic spectrum vibrations are progressing 
        so neatly, why then is the next stage of this project an interactive public 
        event? MMMM… is an artistic experiment. No hard data is expected 
        to arise. This in no way limits potential insights into the natural world 
        that might stem from MMMM... Most artistic products, if shaken well, exude 
        scientific data as a by-product. Unfortunately, there are often strong 
        and contentious reactions to cross-disciplinary activities. It is almost 
        as if breadth itself were a kind of blight on the stability of taxonomy. 
        If labels and classifications are more than mythic, faith based logics 
        of the day, then they shouldn’t have such a phobic reaction the 
        birth of hybrid concepts and complex admixtures. With a little grant money, 
        this too can be reduced to its fundaments. Tame All Anomalies!
 Artistic Purpose:
 I am a rather insular little maniac. I know how important 
        it is that interactivity be interactive and not some uni-dimensional point/click 
        act of avoidance. Dialogical artworks are important diffusers of the unsporting 
        voyeurism of which both scientific objectivity and artistic appreciation 
        are prone to. This bodily bi-directional communication is both remote 
        and deeply interpersonal. It should remind us of our corporeal fleshiness 
        and, by proxy, our relation to all the squiggly things that squiggle upon 
        the earth. As a libertine in the days of deadly STDs, this is perhaps 
        a reflection of the traumas of libidinal economizing for personal survival. 
        The vibratory arts are highly underrated due to fears of lost productivity. 
        Viva Tactility!   MMMMlinks: Langlois
 The 
        Humperdinck Effect Dynamically 
        Seeding Musical Bioreactor  Between 1999-2001, Adam Zaretsky was exploring the effects of music on 
        bacterial fermentation as an Artist and Research Affiliate in Arnold Demain’s 
        Laboratory for Microbiology and Industrial Fermentation at Massachusetts 
        Institute of Technology. During that time, Oron Catts and Ionat Zurr were 
        also in Boston. They were in the process of growing their Pig Wings as 
        as Research Fellows in Dr. Vacanti’s Tissue Engineering and Organ 
        Fabrication Laboratory at Massachusetts General Hospital’s Harvard 
        Medical School. That we were in the same town living with similar day 
        to day tactics was pure happenstance. As some of the few artists who use 
        biological laboratories as their studios, we decided to collaborate by 
        playing Pig Music to Pig Wings.
 To this end, we downloaded all the pig related MP3s from the soon to be 
        illegal Napster. By typing in PIG as the keyword, our search revealed 
        a cross section of the etymological nuance symbolically connected to this 
        family of animal. A few examples: War Pigs by Black Sabbath, Fascist Pig 
        by Suicidal Tendencies, Da Killing of Da Pigs by Da Yoopers, Chokin this 
        Pig by Eminem, Squeal Like a Pig by The Reverend Horton Heat, Filth Pig 
        by Ministry, American Pigs by The Angry Samoans, British Pigs- The Price 
        of Royalty by One Life Choir, PigInCheez By Aphex Twin, Blue Christmas 
        by Porky Pig and of course, Pigs on the Wing by Pink Floyd.
 Once a week, over the next three weeks, we played Pig Music to Pig Wings 
        at Mass General Hospital. This allowed us time during the week to relax 
        and listen to music with the steadily differentiating bone precursor cells. 
        We started with what we referred to as a Dynamic Seeding Musical Bioreactor. 
        Getting cells deep into constructs is common quest for many in the tissue 
        engineering field. The constructs are very porous and it was hypothesized 
        that the irregular vibrations of the music might assist in the distribution 
        and physical embedding of the cells into the construct. The Vibro Transducers, 
        generously donated by Acouve Laboratories, were intalled in a 37 degree 
        Celsius incubator. The Synthecon Bioreactor vessels were then stuck to 
        these vibrating plate speakers. Inside the vessels were the wing shaped 
        polymer constructs (about 4mm thick) and a rich sample of Mesenchenal 
        stem cells (each cell ~ 15 thousandths of a millimeter in diameter.) Pirate 
        MP3s were played. Scientists, artists and stem cells took moments of repose 
        together.
 Alteration of Sculptural Morphology was noticed early on as the wing shaped 
        biopolymers curled up like fried corn chips after the first few songs. 
        Not surprisingly, the wings visibly 'danced' to the music both during 
        the early seeding of the biopolymers and on their following weekly exercise 
        regiments. Bouncing and twisting, stretching and jumping, the Pig Wings 
        took flight. After the incubation period had finished, some of the Musically 
        Entertained Pig Wings were sent to histology to be compared to the Pig 
        Wings whom had been Musically Deprived. Considerable differences in cells 
        count, tissue morphology and distribution throughout the construct were 
        ascertained. Although our application of music to growing tissue cultures 
        was informal and non-repeatable, our observations and the results of the 
        histological comparison lead us to postulate that Pig Music may have a 
        curious effect when applied to Pig Tissue in Vitro.
 
 Scientific Perspective
 By Kylie M Sandy
 In the pig wings project, mesenchymal cells (bone marrow cells) from pigs 
        are grown over bioabsorbable poylmers. The scientific aspect of the project 
        is engaging an artisitic medium, to investigate both the movement of bone 
        cells within the 3D scaffold of the polymer, and the occurrence of calcification 
        within the polymer. Future research should include quantitative and qualitative 
        accounts of the amount of calcification in the polymers, when they are 
        subjected to sound waves. Findings have a potential application to orthopaedic 
        science and tissue engineering.
 
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